![]() Skinner shall have no responsibility for any error or omission. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Items may have wear and tear, imperfections, or the effects of aging. Among them are: Georges Braque, Alexander Calder, Marc Chagall, Alberto Giacometti, Vassily Kandinsky, Fernand Leger, Henri Matisse, Joan Miro, Jean-Paul Riopelle, Saul Steinberg, and Antoni Tapies. The magazine covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Its original articles and illustrations, mainly original color lithographs by the gallery artists, were famous at the time. ![]() 1) and published without interruption until 1982 (No. Lithographed plates and reproductions by Calder, Chillida, Tapies, La Yaouanc, Rebeyrolle, Pol Bury, Kandinsky. The magazine was created in October 1946 (Issue No. Note: In October 1945, the French art dealer Aimé Maeght opened his art gallery at 13 Rue de Téhéran in Paris. Seven Issues of Derriere Le Miroir, Paris: Maeght Editeur, open edition, numbers: 139-140, 1963, Miro with eight original images, 170, 1968, Jean Bazaine with six original images, 171, 1968, Jean-Paul Riopelle with ten original images, 172, 1968, Kemony, 173, 1968, Alexander Calder with eight original images, 174, 1968, Eduardo Chillida, 175, 1968, Antoni Tapies with eight original images, special number, 10 Ans d'Edition 1946-1956, together with a Maeght catalogue for 1963, 15 x 11 in. He won the Gran Prix for Sculpture at the Venice Biennal (1958), the Kandinsky Prix (1960), the Rembrandt Prix by the Goethe Foundation (1947), the Gran Prix of Fine Arts of France (1984), and the Principe de Asturias Prix (1987).Auction: 20th Century Design - 3665T Location: Marlborough Date / Time: J12:00PM Description: He participated in numerous international exhibitions, and his works were presented at several Documenta exhibitions and at various Biennals. Derrire le Miroir- Nos 143, 174 & 242 Three portfolios, 1964-1982, containing one woodcut signed and numbered 12/150 in pencil, 4 lithographs. In the last years of his life, Chillida founded the Chillida-Leku Museum, inaugurated in 2000 at the Zabalaga farm (near San Sebastián), a typical Basque farm. Over the following years, he became a renowned sculptor and graphic artist. In the meanwhile, the artist also began realizing graphic artworks. Chillida also worked as an interior designer. In 1962, together with the most important sculptors in the world, he participated in the V Festival of Spoleto, organized by Giovanni Carandente, where he presented two iron sculptures: Oyarak and Beguirari. Over these years, his sculptures reflected his views, while space became his main focus. In 1949, during his stay in Paris, the artist began working on iron sculptures. In his earliest works, he used gypsum and clay. In 1947, he attended the private art academy "Circulo de Bellas Artes" in Madrid. ![]() In 1943, he began studing architecture, whilst his brother Gonzalo Chillida began studing painting. ![]() In that same year, he enrolled at the Academy of Fine Arts. In 1939, Eduardo met Ignacio Malaxecheverria, who became his master and spiritual teacher. His father Pedro was a soldier, yet he was also very interested in art. Eduardo Chillida (San Sebastián, 1924 – San Sebastián, 2002) was a Spanish-Basque sculptor and graphic artist. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |